Chinese Calligraphy Poetic Landscape

Chinese Calligraphy Poetic Landscape

@Admin

Prompt

A traditional Chinese ink wash hanging scroll style painting, painted on warm beige rice paper, in vertical composition, with large black ink calligraphy at the top and middle of the right side, and poetic landscape illustration at the lower left and bottom. The calligraphy must be clear and legible, using expressive running script brushstrokes, divided into 6 vertical columns, read from right to left. The specific text of the 6 columns is: "Golden goblets of clear wine, ten thousand coins per dou; jade plates of precious delicacies worth ten thousand coins", "I put down my cup and throw away my chopsticks, unable to eat; I draw my sword and look around, my heart bewildered", "I wish to cross the Yellow River, but ice chokes the stream; I am about to climb Mount Taihang, but snow covers the mountains", "In idle moments I fish on the green brook, and suddenly I dream of sailing a boat by the sun", "Hard is the way, hard is the way, so many forks, where am I now", "There will be a time to ride the wind and break the waves; I will hang my cloud sail and cross the vast sea". Add a smaller vertical signature "Li Bai, Hard Is the Way of the World" to the left of the main poem, and stamp 1 red square seal below the signature. In the landscape scene, depict 1 ancient Chinese scholar in a pale robe, with a topknot and ribbons, standing at the edge of the rugged cliff in the lower left, looking up into the distance with a thoughtful expression. In the lower part and throughout the entire lower half, depict a turbulent river or sea, with white waves and foam; in the distance are ink-wash mountains hidden in mist; the cliff edge is dotted with sparse vegetation, all shrouded in soft mist. Use black-gray ink wash, and add extremely restrained dark blue-gray tinting on the water surface and in the shadows of the robe. The overall atmosphere is heroic, melancholic, and literary, showing the texture of classical Chinese landscape painting and museum-grade calligraphy, with moderate negative space retained around the text and landscape.