Minimalist Oriental ink-wash typography poster

Generate a minimalist Oriental typography poster based on a specific theme: the composition uses large areas of clean negative space as the core element. The main subject is not a complete illustration, but rather several segmented, floating, and offset thick black ink branches or linear structures based on the theme, with visual weight like calligraphic brushstrokes. The edges of the brushstrokes should show variations of dry and wet, thick and thin, broken ink, flying white, slight bleeding, and a handmade uneven texture. The structures can extend from the edges, or stop abruptly in blank areas, creating a quiet yet tension-filled reading path. Text is one of the core design elements, using an extremely thin, elongated Song or Ming-style typeface. Chinese typography can use interlaced vertical and horizontal combinations, with wide letter spacing and thin strokes, and allows typographic experiments such as partial deconstruction, offset, or stretching. English subtitles use high-contrast serif or narrow serif fonts, with restrained font size, scattered in blank areas like whispered annotations. The hierarchy must be clear: one main title occupies the strongest visual center, while other phrases are sparsely arranged like specimen labels. Colors maintain high brightness and a fresh paper texture, with the background close to warm white or light tones derived from the theme. Black is responsible for building structure and textual order; a small amount of bright, soft accent colors derived from the theme are used only for petals, dots, thin lines, or partial font slices. Although small, the accents are precisely placed, giving the image a light and fresh atmosphere. The overall style blends ink painting, typography design, and modern layout, with low information density, wide margins, and a dispersed but controlled visual center. Theme: Purpose: Ratio: