A three-panel character reference sheet

A three-panel character reference sheet, composed as a horizontal image divided equally into three side-by-side vertical panels (three-panel character reference sheet), with clean thin dividing lines between panels, showing the same person and the same outfit completely consistently across the three panels. A young woman, slender and well-proportioned figure, sweet and innocent aura. Pink-purple (gray-toned rose pink-purple) long curly hair, straight bangs, large wavy curls reaching the waist, hair smooth and glossy, on the left side of the hair a black satin bow hair clip decorated with a string of pearls. Soft rounded face shape, full cheeks, delicate jawline; almond eyes, deep brown pupils, clear and gentle gaze; soft curved eyebrows, small nose bridge, full petal lips. Skin fair, translucent, and hydrated, with a faint pink blush on the cheeks, natural makeup, nude-pink glossy lips. A pair of small pearl earrings on the ears, a thin silver chain pendant on the neck. (This identity description applies to all three panels.) Wearing a black velvet spaghetti-strap short dress, V-shaped neckline trimmed with white lace, thin shoulder straps, fitted cut clinging to the slender curves, hem falling at mid-thigh; black semi-transparent stockings on the lower body, black high heels on the feet. (This outfit description applies to all three panels.) Left panel — front full body, headless. The person's body faces the camera directly, from below the shoulders down to the shoes, arms hanging naturally at the sides, hands relaxed and open, weight evenly on both feet. No head, no hair — nothing rises above the shoulder line, no hair falls on the chest or shoulders. The neck rises briefly upward from the shoulders and ends at the base of the throat with a clean, flat, sharply edged horizontal cut, like a headless mannequin — a crisp sculptural cut edge, clearly visible, not blurry, not faded, not dissolving, no smoke, no afterimage, no transparency, no blood, no anatomical details. Above the cut there is only a blank medium gray background. This panel preserves full headroom — ample blank space above the shoulder line, so that the person's proportion and position in the frame match a normal full-body portrait. Middle panel — back full body, with head. The same person photographed from directly behind, standing straight, pink-purple long curly hair falling naturally down the back to the waist, the back construction of the black velvet spaghetti-strap dress, crossed thin shoulder straps, and hem clearly visible, arms hanging naturally at the sides, hands relaxed, weight evenly on both feet, framed completely from the top of the head to the black high heels, black stockings wrapping the long slender legs. Right panel — chest-up big close-up, identity lock. The same person in a tight composition from slightly above the top of the head to the collarbone, showing only the uppermost edge of the dress, the face occupying most of the frame, a true close-up. Body facing the camera, head level, eyes looking directly into the camera, lips closed and relaxed, a neutral restrained gentle expression, an extremely faint closed-lip smile. Pink-purple straight bangs, soft curved eyebrows, long lashes, the lip texture of full petal lips, the black bow pearl hair clip, and the silver chain pendant are all clearly discernible at close range. Unified background for all three panels: flat, even 18% medium gray seamless background, single color value, no gradient, no falloff (flat 18% gray seamless). Directionless, shadowless frontal illumination, with even fill light all around, no key light side, no shadow side, no rim light, no glow, no edge light (shadowless frontal illumination), no projection on the background, no contact shadow under the feet (zero cast shadow), and completely consistent lighting across all three panels. Photorealistic quality (photorealistic), skin shows fine, even pores and subsurface scattering (subsurface scattering), hair strands individually distinct (strand-level hair), velvet, lace, and stocking fabric textures are clear (fabric weave), slight film grain (theatrical grain). Real human, real camera shot, absolutely not plastic-looking, absolutely not a render, absolutely not CGI, no AI skin smoothing, no over-smoothing.